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白川个展——

虎的迷路

皇冠a盘b盘c盘水位

策展东说念主：李子健

艺术总监：滕青云

主持：三影堂厦门影相艺术中心

皇冠hg86a

延期：2023.09.23 - 10.29（周一闭馆）

地址：厦门商场好意思区杏林湾营运中心2号楼裙楼三层

这项研究发表于本周一的《柳叶刀》医学杂志上，显示出虽然接种疫苗28天后抗体水平下降，但在96%以上的参与者中，这种免疫蛋白在至少六个月内保持在被认为具有保护作用的水平。该疫苗的安全性与其他已获批准的疫苗相似。

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咱们可能几许齐有过访佛的资格，在某一个俄顷忽然感受到熟谙的事物变得无比生疏：约会上的欢声笑语酿成了不测旨的杂音，熟谙的亲一又仿佛成为外东说念主；在相册中看到料念念之外的合影，仿佛我方的记念是一场骗局; 或者在梦里，顽强到我方颓败于我方的梦幻。这些“局外东说念主”的本领，大致在教导着咱们，由咱们熟谙的限定和感性所组成寰宇仿佛被咱们本人所拒却。

选自《始于爱情，终于疫情》系列

2018年9月28日晚，湖南省益阳市赫山区赫山街道茂林社区党员彭正波茂林社区党员微信群内转发题为“入党申请书”“黄色段子”信息，全文400余字，内容严重丑化党形象，社区党员中造成恶劣影响。2018年11月，彭正波受到留党察看1年处分。www.royalcasinositezonehub.com

This Animal Year Series欧博龙虎斗

白川的这一系列作品《始于爱情，终于疫情》拍摄了12年，当先选拔虎头面具的原因也很直快，虎即是他的属相。这个凶煞的老虎面具伴随着他资格家庭变故，见证家乡的变化和处事的发展，以及目睹无数琐碎的闲居片断。展览的主体即是由这一系列相片组成的记念长廊，莫得具体的时期和东说念主物踪影，就像咱们蓦地堕入回忆时那般，过往的本领随即地清晰。

选自《始于爱情，终于疫情》系列

This Animal Year Series

足球经验

选自《始于爱情，终于疫情》系列

This Animal Year Series

在这些相片里，虎头多数由他指挥，随机也会是拍摄现场中的别东说念主，虎头面具祛除了一切神采，不管是在何种情境，残暴的虎头东说念主老是无语地盯着镜头，时而举起手枪对向我方。这无疑成为了这一系列相片中捏续的刺点，将那些仅属于私东说念主的本领，千里闷的社会庆典和悲哀的情谊完全诡辩。

咱们在相片中看到的，是一种令东说念主惊叹的熟谙的生疏感。家庭合影，约会相片，旅行眷恋，这些在这个期间的咱们齐深广领有的相片，在白川的演绎下变得生疏。相片中的带着虎头的东说念主似乎颓败于相片的时空除外，皇冠信用盘网址仿佛一个闯入的外东说念主，拒斥着限定和惯习，或是荫藏着被摄者的情谊。从这个角度而言，我在白川作品里看到的，是他对那些在他性射中不可捉摸的客体或遇到的千里醉，并以影相的神态，去唤起他们的积极文告。

选自《始于爱情，终于疫情》系列

This Animal Year Series

选自《始于爱情，终于疫情》系列

This Animal Year Series

“咱们也曾平分鼎峙，因而不可条目外东说念主交融于此，更不可追缠他们，而是将他们迎入怪怖之中，因为这种怪怖既属于他们又属于咱们。”克里斯蒂娃在《咱们本人的外东说念主》中征引弗洛伊德的讲明去面目主体与外东说念主遇到时的异样感受，这种生疏的感受并非是因遇到外东说念主，而是从根蒂上，来自于咱们本人里面，那些瞒哄的，咱们关于本人的生疏。在白川擢升一旬的影相迷路中，他呈现即是如斯的遇到，那些在生疏和稔熟之间，迷东说念主的刺点。

皇冠官方手机版最新版

● 文/李子健欧博龙虎斗

艺术家

白 川

白川，影相师。

展览：5PRCITY, United Nude Miami,迈阿密，好意思国（2010）；The Sixth International Month of Photography in Moscow: Photobiennale 2006，莫斯科，俄罗斯（2006）；个东说念主展览《爱你比海深》，第二届连州海外影相年展，连州（2006）；个东说念主展览《许竹》、《通说念》，第一届连州海外影相年展，连州（2005）。

Bai Chuan's Solo Exhibition -

Tiger, the Uncanny

Curator:Li Zijian

皇冠客服飞机：@seo3687

Art Director:Teng Qingyun

Organiser:Three Shadows Xiamen Photography Art Centre

皇冠备用网址

Duration:Sep 23, 2023 - Oct 29, 2023

Venue:3rd Floor of Building 2, Xinglinwan Business Centre, Jimei District, Xiamen

We have all experienced moments where the familiar suddenly transforms into an overwhelming sense of uncanny strangeness. Laughter and merriment at parties can become meaningless noise, close friends and loved ones appear as strangers, and unexpected group photos in an album make one question the authenticity of his or her memories. These moments of feeling like an outsider are reminders that the world, constructed by the rules and rationale we are accustomed to, is somehow rejecting us.

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选自《始于爱情，终于疫情》系列

This Animal Year Series

Over the course of 12 years, Bai Chuan created his series \"This Animal Year\". His initial choice of the tiger mask was quite simple – the tiger is his Chinese zodiac sign. This foreboding tiger mask accompanied him through the ups and downs of life, witnessing family upheavals, changes in his hometown, career developments, and countless mundane moments in daily life. The core of this exhibition is a memory corridor comprised of this series of photographs, devoid of specific timestamps or character clues. It's akin to suddenly getting lost in memories, with moments from the past randomly flooding in.

选自《始于爱情，终于疫情》系列

This Animal Year Series

选自《始于爱情，终于疫情》系列

This Animal Year Series

In these photos, most often, it's Bai Chuan himself donning the tiger mask, while at times, others are in the midst of a photo shoot. The tiger mask obscures all facial expressions, and no matter the context, the fierce tiger-headed figure always gazes numbly into the camera, sometimes even pointing a gun towards herself or himself. Undoubtedly, this constant element has become a punctum throughout the series, negating the private moments, somber social rituals, and poignant emotions. What we see in these photos is a strangely familiar yet surprising sense of uncanny strangeness. Family portraits, party snapshots, travel souvenirs – the photos that many of us possess abundantly in this era all become unfamiliar under Bai Chuan's interpretation. The tiger-headed individuals in the photos seem detached from the time and space within the images, almost like intruders rejecting norms and customs, or concealing the emotions of those being photographed. From this perspective, what I discern in Bai Chuan's work is his fascination with objects or encounters that elude his grasp in life, and his endeavor to evoke their positive responses through photography.

选自《始于爱情，终于疫情》系列

This Animal Year Series

\"Freud brings us the courage to call ourselves disintegrated in order not to integrate foreigners and even less so to hunt them down, but rather to welcome them to that uncanny strangeness, which is as much theirs as it is ours.\" As Julia Kristeva quote Freud in \"Strangers to Ourselves\" when the subject encounters strangers, the feeling of strangeness doesn't stem from the encounter with others but fundamentally arises from within ourselves, from those concealed aspects of ourselves that remain unfamiliar. Throughout Bai Chuan's decade-long photographic journey, he indeed presents the encounters of this nature - those punctum between the unfamiliar and the familiar.

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艺术维C，一家融自媒体、艺术策展、艺术保藏的新式艺术平台。专注搭建艺术家与全球之间的桥梁，挖掘孵化具有鼎新精神的艺术家，培养新期间藏家，现在已领有全网百万精确高质地用户，旗下艺术品均来自国内一线好意思院大家巨擘认证。

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